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£6m fund to help Scottish talent on to festival stage



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Published Date: 28 March 2008
TWELVE of Edinburgh's festivals are being given the chance to share in a £6 million cash pot aimed at promoting more home-grown work at the capital's cultural showpieces.
The Scottish Government's new "expo fund" will be open to Scottish companies, producers, writers and event organisers, it was announced yesterday.

Grants will also be on offer to help stage major world premieres, get joint productions and initiati
ves between festivals off the ground and take successful festival shows on tour around the world.

The first major international marketing initiatives promoting Edinburgh as the "festivals capital of the world" are also to be partly funded through the initiative, promised by the SNP in its election manifesto.

The expo fund, which was opened for funding bids last autumn, is primarily aimed at getting new "Scottish-based" work off the ground. About £1.3 million is expected to be confirmed for a string of projects over the next few months, although details are being kept under wraps until festival programmes are unveiled.

Linda Fabiani, the culture minister, said she would have the final say on what projects receive funding, with the scheme "administered" via the Scottish Arts Council. She added that broad criteria would be applied during the application process so that all projects with a "significant Scottish element" would be considered.

Ms Fabiani said: "With Edinburgh as the pre-eminent festival capital of the world, we have a real platform to showcase the best of Scottish talent to international audiences.

"One of our key priorities is to ensure we get more Scottish-based artists involved in the Edinburgh festivals and touring within and outwith Scotland thereafter."

Faith Liddell, head of Festivals Edinburgh, the umbrella group for the city's major events, said most festivals were co-ordinating their efforts to secure funding through the new initiative.

She added: "We'll see the first work staged this summer in most of the festivals.

"The Tattoo was the only one not to apply for funding in the first year, and because the Fringe is not responsible for programming shows, it will be announcing its own initiative later in the summer.

"There was a pretty tight timescale to work to for projects to secure funding during the first year, but it was effectively over-subscribed."

Jon Morgan, the director of the Festival Fringe, said: "Funding should hopefully be available to help bring new work to the Fringe in 2009 (and] also take shows on tour afterwards."

A study produced by Festivals Edinburgh last year found that up to £80 million in new funding will be required over the next three years if the city is to stay ahead of major rivals.

Liverpool, Manchester, and Newcastle/Gateshead are all battling to take Edinburgh's crown as the world's "festivals capital".

However, there are also fears over the global threats from the likes of Barcelona, Montreal, Singapore and Adelaide.

CALL FOR MORE COVERAGE
THE culture minister has demanded that broadcasters step up coverage of Edinburgh's major festivals.

Linda Fabiani called for a series of flagship programmes showcasing the likes of the Edinburgh International Festival and the Fringe to be screened this year, describing the exposure for Edinburgh's festivals on the BBC as tiny compared with the coverage devoted to the annual Proms season.

"Broadcasters do not do nearly enough," she said. "There is no reflection that Edinburgh is the world's leading festivals city."

There has been previous criticism of the BBC's festival coverage in Edinburgh.

Jonathan Mills, the director of the Edinburgh International Festival, has condemned the BBC for one of last year's flagship programmes, entitled 10 Things To Hate About The Edinburgh Festival. STV broadcast just one dedicated show last year, offering highlights of the fireworks concert.

Neither the BBC or STV was able to say how much they spent last year covering Edinburgh's festivals.





The full article contains 645 words and appears in The Scotsman newspaper.
Page 1 of 1

  • Last Updated: 27 March 2008 9:56 PM
  • Source: The Scotsman
  • Location: Edinburgh
 
1

Edinburgh Internet Festival,

Edinburgh 28/03/2008 07:27:16
Since launching the annual Edinburgh Internet Festival back in 1999 I have repeatedly been refused all attempts to obtain support and funding from all official resources including the Scottish Executive, the Scottish Arts Council, The Lottery Fund, Edinburgh Council, the Government's own Benefits Agency and 'New Deal for the Disabled' - Despite meeting all aspects of the criteria laid down in the Festival Strategy produced by Edinburgh Council.

What is worse - the outright theft of several original concepts and at least one specific section of the internet festival has been supported and even offered funding by official bodies such as the Scottish Arts Council and Edinburgh Council.

The launch in 2006 of the Edinburgh Fashion Festival obtained a 'Start Up Grant' of over £500,000 and other Edinburgh based festivals obtained five figure funding during the last festival season alone - However... To date the original and still the world's largest internet festival continues to be funded entirely out of its founder's disability benefits and personal savings

Despite the popular misconception that the disabled (and in particular those on disability benefits) are work-shy and content to sponge off the benefits system - I am one of the many disabled people within Scotland who have made every effort to adapt to their problems and have retrained themselves in the hope of finding a means of re-entering the employment market.
While admittedly refusing to deviate from the event's original concept of an 'ad free' and non-commercial Edinburgh Festival providing participation and promotion to the online creative community as a freely given gift from the people of Edinburgh - Being forced to work within the guidelines laid down for those obtaining disability benefits - Has meant that I have been unable to exploit any additional commercial or fund-raising aspects of the event.

The lack of all official support over the last eight years has brought the situation to a poin
2

Edinburgh Internet Festival,

28/03/2008 07:32:06
(No idea what a 'poin' is but the comment should finish...)

The lack of all official support over the last eight years has brought the situation to a point where I can not foresee the internet festival being able to continue beyond this year. However, with the launch of the Scottish Executive's new festival funding initiative I will be writing directly to Culture Minister Linda Fabiani to see if the new administration is serious in their claims of a fresh approach to supporting Scottish creative resources.

Pol Steele
Edinburgh Internet Festival 1999 – 2008
www.scotfestival.com
3

donald,

glasgow 28/03/2008 09:40:36
And I always thought hat it was an English Festival in all but name.
4

Sedov,

Scotland 28/03/2008 11:31:35
Scrap the official Edinburgh Festival and invest in developing the arts and theatre etc for people in places like Pilton and Craigmillar.
5

Ard Righ,

The Rock Of Edinburgh 28/03/2008 12:43:10
"Linda Fabiani, the culture minister, said she would have the final say on what projects receive funding, with the scheme "administered" via the Scottish Arts Council. She added that broad criteria would be applied during the application process so that all projects with a "significant Scottish element" would be considered."

Therein lies the problem, "The Scottish Arts council"

It is a well know fact this colonial english administration (there are a handful of Scots in 'lower positions, the managerial positions are all english) make sure no real traditional events take place, not one. They do how ever promote pastiche of any thing traditional, thus demeaning our culture via parodying, feminising and dissolving the essence of our culture. You will get funding if you are english, middle class, and female. You get to insult Scottish culture by representing Scotland, getting annual residencies and failing horrendously and never being heard of again.

Those who are tradition bearers don't get a look in. If you wish to mock your own culture, you'll probably get funding.

How can anyone in their right mind NOT understand that is is only Scottish folk that can know the culture at an intrinsic level and present this in a from that works with our culture and culturally invites other countries cultures within our context holistically?

6

Ard Righ,

The Rock Of Edinburgh 28/03/2008 12:56:19
1, A few years ago I had considered a better approach to arts funding in Scotland, a broad group of artists who may be injured in some way and for whatever reason no longer wish to pracitice their art, could be welcomed in to the few roles of handing out funding for active Scottish artists. This would bridge the "administration for artists problem", how can any box ticking administrator have the first clue about culture or art or artists and the manner in which to present it, especially english administrators which have no culture with which to reference from?

The most obvious essence of this situation is to let the artists decide. Get rid of the colonial quango.
7

John Blackley,

Florida 28/03/2008 17:22:16
the "festivals capital of the world"?

Go for it!
8

Wee Jimmie,

Lothian 28/03/2008 20:41:20
I have an idea for the arts.

They produce something that people want to watch look at or listen to.

They charge enough money to cover costs and make a profit.

Those who want to support the arts can pay those who don't need not.

:-)
9

Highland Mighty ,

28/03/2008 20:54:16
This is the tightest settlement imposed on Scotland since devolution, and not even Arthur Midwinter disputes that.

In 2003/4 the Scottish Executive received 11.5% above inflation; next year it will be getting 0.5%, rising to an average of 1.8%.

The Treasury may come to regret this parsimony at a time when Scottish oil, at $90 a barrel, is pouring cash into the Exchequer.

In the end, voters may be more tolerant of an SNP administration that tries and fails than of a Labour administration that celebrates its own mediocrity and cramped ambition.

 

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