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Introducing... Violinist David Garrett



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Published Date: 08 February 2008
HE is being dubbed classical music's David Beckham and, while it's not hard to see how his boyish good looks could lead to such comparisons, there is a lot more to German-born David Garrett than a pretty face.
A child prodigy, at 13 he was the youngest artist ever to record for prestigious classical label Deutsche Gramophon, and in the next four years the young virtuoso released four albums, the last being the Tchaikovsky and Conus concertos, with Mikhail Pletnev and the Russian National Orchestra.

Garrett, who plays a free concert at Ocean Terminal today, was bitten by the music bug at four after his dad gave him a violin to play with. Without a single lesson, the toddler picked it up and started to play.

"After two months without a teacher I was playing better than my older brother," laughs Garrett, now 25. "I think that my parents thought there must be some talent there, so they started to send me out to teachers."

A shrewd move. At the age of eight, with a management team already behind him, he was playing solo with some of the leading international orchestras, including the London Phil-harmonic, the Los Angeles Phil-harmonic and the Russian National Orchestra.

It wasn't long before he started to attract the attentions of some of the world's foremost music teachers and conductors – namely Zubin Mehta, Claudio Abbado and Pletnev. And he even performed under the direction of Yehudi Menuhin.

"I'm flabbergasted when I listen to recordings of myself at that age," says Garrett, who was putting in seven hours of practice every day while his friends were becoming experts at PlayStation.

"It is weird to hear someone so young play so well, even if it is me," he adds. Having won a scholarship at the esteemed Juilliard School (one of the world's premier performing arts conservatories), Garrett left his native Germany for New York, where he supplemented his student grant with modelling assignments for magazines, like Vogue, and fashion houses, such as Armani, appearing not only in glossy magazines but in catwalk shows.

After graduation Garrett stayed on in the Big Apple, getting himself a new pad in NYC's trendy Hell's Kitchen, where he found himself in the centre of it all – close to the cultural life of the Lincoln Center but near enough to the club culture of Chelsea and the West Village.

It was this new feeling of freedom, coupled with a talent that had been refreshed by his time studying at Juilliard, that led to what he likes to think of as his "first album", Virtuoso.

"This is the first one where I'm in charge," says Garrett, whose newbie hits record stores next month. "The producing, the arranging, the composing – it's totally my project.

"The record company trusted my instincts, gave me freedom to experiment and I came up with all this stuff," adds a young man you'll be hearing a lot more of in the coming months.

David Garrett, Ocean Terminal, Ocean Kitchen, today, 1.30pm, free, 0131-553 0210


The full article contains 514 words and appears in Edinburgh Evening News newspaper.
Page 1 of 1

  • Last Updated: 07 February 2008 6:52 PM
  • Source: Edinburgh Evening News
  • Location: Edinburgh
  • Related Topics: The Guide
 
1

Speaker,

London 20/02/2008 21:13:44
Well, it's obvious. David Garrett is trying to copy Nigel Kennedy. The record companies are worried about Nigel because he has got his own mind, and probably doesn't always automatically do what they would like him to do. Nigel, who is a brilliant musician, is also interested in other styles of music besides classical music, and invests time and energy in non profit-generating activities, for example his Polish jazz band.

But it is the classical music that brings in the big bucks, and the 'greed heads' have been getting worried.
The industry people have clearly been hunting for a replacement 'golden goose' to sell to those fans who up until now have bought Nigel's tickets and records. The first non-classical 'influence' David mentions on his own website is, surprise, surprise, gasp, shock: JIMI HENDRIX!!! Wow what a coincidence - the very same rock guitarist and singer that Nigel is legendary for interpreting on the violin.

And so here he is, David Garratt. Let's hope Nigel's fans and followers are too smart to be taken in by this pathetic and transparent attempt to manipulate them and palm them off with a pale copy of the real genius, Nigel Kennedy. To David I would say; 'Forget it, mate. You're just not good enough'. One could almost feel sorry for the poor record companies, forced to acknowledge the unalterable truth that true geniuses are very seldom, obedient, easily manipulated puppets, whose main priorities are to generate cash for themselves and their management, eg., Vincent Van Gogh, Mozart, Scott Joplin, Janis Joplin, etc.

The fact is that David Garrett is a clever marketing hype by the record company. It's like 'Pop Idol' for classical music. The broken violin story was probably all very carefully organised by his publicity team. Let's face it, it worked - headlines all over the place, and everyone saying 'Who is this person who I've never heard of who's broken his violin?'

He's been carefully selected not because of whatever talent he
2

Speaker,

London 20/02/2008 21:15:34
Well, it's obvious. David Garrett is trying to copy Nigel Kennedy. The record companies are worried about Nigel because he has got his own mind, and probably doesn't always automatically do what they would like him to do. Nigel, who is a brilliant musician, is also interested in other styles of music besides classical music, and invests time and energy in non profit-generating activities, for example his Polish jazz band.

But it is the classical music that brings in the big bucks, and the 'greed heads' have been getting worried.
The industry people have clearly been hunting for a replacement 'golden goose' to sell to those fans who up until now have bought Nigel's tickets and records. The first non-classical 'influence' David mentions on his own website is, surprise, surprise, gasp, shock: JIMI HENDRIX!!! Wow what a coincidence - the very same rock guitarist and singer that Nigel is legendary for interpreting on the violin.

And so here he is, David Garratt. Let's hope Nigel's fans and followers are too smart to be taken in by this pathetic and transparent attempt to manipulate them and palm them off with a pale copy of the real genius, Nigel Kennedy. To David I would say; 'Forget it, mate. You're just not good enough'. One could almost feel sorry for the poor record companies, forced to acknowledge the unalterable truth that true geniuses are very seldom, obedient, easily manipulated puppets, whose main priorities are to generate cash for themselves and their management, eg., Vincent Van Gogh, Mozart, Scott Joplin, Janis Joplin, etc.

The fact is that David Garrett is a clever marketing hype by the record company. It's like 'Pop Idol' for classical music. The broken violin story was probably all very carefully organised by his publicity team. Let's face it, it worked - headlines all over the place, and everyone saying 'Who is this person who I've never heard of who's broken his violin?'
What a shambles


3

Speaker,

London 20/02/2008 21:17:59
Re David Garrett

He's been carefully selected not because of whatever talent he may have, but because of his young age and his Beckham type looks, hence the deliberate marketing of the phrase 'The Beckham of classical Music'.

The record industry think they have found their ideal new money-spinning puppet in David Garrett.
4

Speaker,

London 20/02/2008 21:22:52
Receipt for success;
take an average but young, handsome looking violin player, make him important by getting him to fall down the stairs, if during this he brakes an expensive instrument will bring more headlines. Now you can market him as a genius

 

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